why do we need to see her ageing ? and in such an inconsequential role too.
preity zinta is also a mistake i think should have had a fresh face. govinda has been one of my favourites, and its sad to see him having aged and playing second fiddle. elena is a total miscast, seems like she is in a daze. saif is the centrepiece of the movie, and he does hold it together but we've seen similar performances from him before. basically its a slow paced movie, and not very well made so it just trudges along predictably, while making fun of other such predictable movies. and i don't like romantic comedies to begin with, so there i have my disclaimers out of the way. and i had gone fully prepared to abandon it midway, but i guess i didn't. Well, it was a movie i watched till the end, so it wasn't horrible. So you can easily give it a skip to be later watched at any Cable Channel or on Home Video when its official DVD gets released in the coming week. In any case, HAPPY ENDING is not at all a HAPPY watch to recommend with nothing else to offer except Govinda. Or was this another case of the producer interfering into the script as per his own vision as always. In short, its really strange why the director duo chose this kind of stale and overdone subject for their next venture . On the other hand Cinematography as well as Background score do not come up with any extra ordinary feature to mention here. Music remains the only saving grace in the film (with few catchy dance tracks), which unfortunately doesn't get the support it deserved from the script. Ranveer Shorey tries hard to contribute his bit & does bring some rare smiles with his witty dialogues but Kalki, Preity Zinta and Kareena Kapoor fail to add anything significant to this long, painful watch in their small cameos.
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Saif Ali Khan continues his 'no-show' post BULLETT RAJA & HUMSHAKALS, plus Ileana D'Cruz gives another similar yet sweet kind of appearance as the fellow writer. The veteran has only 4-5 scenes in the entire film, but still manages to give you at least something to cheer in those few minutes, especially in the song "Nacho Saare G Phaadke" offering his famous and immensely enjoyable dance moves.
With no impressive performances delivered by the lead pair, HAPPY ENDING once again wastes the gifted Govinda just like the last week's KILL DIL.
In fact this has been the dilemma or conflict seen in most of the projects today when they try to incorporate plots for both the diverse territories and in the effort make a complete mess out of the film deliberately. The romance loses all its charm as it progresses and the writers remain confused between their target audience making a vain attempt to cater the viewers within the country as well as abroad. Taking its clear references for certain insertions (like the book reading one) from BEFORE SUNSET (2004) and more, HAPPY ENDING begins on a fairly interesting note and then goes on to become a boringly long ride with everything predictable till the end.
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Because what they present in HAPPY ENDING is full of all been there-seen before sequences with nothing fresh except few occasional good dialogues or only four entertaining scenes of Govinda. Hence, watching the witty promos of HAPPY ENDING, well supported by a few peppy dance numbers and an interesting cast really made everyone expect a fairly enjoyable rom-com from the team once again.īut perhaps crime thrillers remain their proved forte and a romantic comedy is not exactly the genre Raj & DK are comfortable with. Friends who have seen Raj Nidimoru and Krishna DK's (aka Raj and DK's) earlier ventures such as 99, SHOR IN THE CITY or the recent GO GOA GONE, would readily agree that the director duo really showcased some exceptional talent in these three films, moving ahead than a routine Bollywood project made on the same old set routine patterns.
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